{"id":5199,"date":"2021-01-14T14:09:18","date_gmt":"2021-01-14T14:09:18","guid":{"rendered":"http:\/\/test5.ottohainzl.at\/?post_type=portfolio&#038;p=5199"},"modified":"2021-02-24T10:46:51","modified_gmt":"2021-02-24T10:46:51","slug":"wir","status":"publish","type":"portfolio","link":"https:\/\/test5.ottohainzl.at\/en\/wir\/","title":{"rendered":"WIR"},"content":{"rendered":"<p>[vc_row][vc_column][vc_empty_space height=&#8221;30px&#8221;][vc_empty_space height=&#8221;10px&#8221; el_class=&#8221;.hide_on_mobile&#8221;][vc_column_text]<\/p>\n<h2 style=\"text-align: center;\">we \u2013 dramaturgy of social life<\/h2>\n<h5 style=\"text-align: center;\">2006 ongoing<\/h5>\n<p>[\/vc_column_text][vc_empty_space height=&#8221;10px&#8221;][vc_column_text el_class=&#8221;.text-line-height&#8221;][\u2026] the artist exclusively depicts scenes fully laden with human traces. That way he points to us and to himself. The traces equal fingerprints of being. Almost every detail in the photographs is ar- ranged, arranged by life itself, not by the artist. This is exactly where the point is being made: the ostensible randomness of the scene diminishes and gives way to the dramaturgy of social life. The almost trivial look- ing image of everyday life opens up in a reflexive space, the WIR-space [\u2026]<\/p>\n<h5>\u2014 fragment of the exhibition text in Galerie foto-forum Bozen, 2010<\/h5>\n<p>[\/vc_column_text][\/vc_column][\/vc_row]<\/p>\n","protected":false},"excerpt":{"rendered":"<p>[vc_row][vc_column][vc_empty_space height=&#8221;30px&#8221;][vc_empty_space height=&#8221;10px&#8221; el_class=&#8221;.hide_on_mobile&#8221;][vc_column_text] we \u2013 dramaturgy of social life 2006 ongoing [\/vc_column_text][vc_empty_space height=&#8221;10px&#8221;][vc_column_text el_class=&#8221;.text-line-height&#8221;][\u2026] the artist exclusively depicts scenes fully laden with human traces. That way he points to us and to himself. The traces equal fingerprints of being. Almost every detail in the photographs is ar- ranged, arranged by life itself, not by&hellip;<\/p>\n","protected":false},"author":1,"featured_media":5232,"comment_status":"closed","ping_status":"closed","template":"","meta":[],"portfolio_category":[95,96],"portfolio_tag":[],"translation":{"provider":"WPGlobus","version":"2.7.1","language":"en","enabled_languages":["de","en"],"languages":{"de":{"title":true,"content":true,"excerpt":false},"en":{"title":false,"content":false,"excerpt":false}}},"_links":{"self":[{"href":"https:\/\/test5.ottohainzl.at\/en\/wp-json\/wp\/v2\/portfolio\/5199"}],"collection":[{"href":"https:\/\/test5.ottohainzl.at\/en\/wp-json\/wp\/v2\/portfolio"}],"about":[{"href":"https:\/\/test5.ottohainzl.at\/en\/wp-json\/wp\/v2\/types\/portfolio"}],"author":[{"embeddable":true,"href":"https:\/\/test5.ottohainzl.at\/en\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/test5.ottohainzl.at\/en\/wp-json\/wp\/v2\/comments?post=5199"}],"version-history":[{"count":5,"href":"https:\/\/test5.ottohainzl.at\/en\/wp-json\/wp\/v2\/portfolio\/5199\/revisions"}],"predecessor-version":[{"id":6478,"href":"https:\/\/test5.ottohainzl.at\/en\/wp-json\/wp\/v2\/portfolio\/5199\/revisions\/6478"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/test5.ottohainzl.at\/en\/wp-json\/wp\/v2\/media\/5232"}],"wp:attachment":[{"href":"https:\/\/test5.ottohainzl.at\/en\/wp-json\/wp\/v2\/media?parent=5199"}],"wp:term":[{"taxonomy":"portfolio_category","embeddable":true,"href":"https:\/\/test5.ottohainzl.at\/en\/wp-json\/wp\/v2\/portfolio_category?post=5199"},{"taxonomy":"portfolio_tag","embeddable":true,"href":"https:\/\/test5.ottohainzl.at\/en\/wp-json\/wp\/v2\/portfolio_tag?post=5199"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}